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THE TECHIE GOSPEL

We hold this truth to be self evident:
That all TECHIES are created superior.

Genesis

In the beginning there was the Stage, and the Stage was without lights or sets,
and darkness was on the faces of the actors. And the Technical Director (hereinafter referred to as the TD) said, "Let there be Lights!" and the TECHIES worked and wired, and there were lights. Spotlights and specials, areas and backlighting - yea, lights of all shapes, sizes and hues. And the TD saw the lights, that they were well aimed and focused, gelled according to the scene, and no more was there darkness on the faces of the actors. And it was good. And the evening and the morning were the First Day.

And the TD looked upon the actors and saw that although they walked in light, they did walk upon a bare stage, and had no place to be, and the TD was moved to pity. And the TD said, "Let there be a Set!": and the TECHIES scrambled and worked, and there was a set, with platforms, wagons, stairs, and furniture of various types and sized*, each according to the need. And the actors did walk within the set, and did have a place to be. And the TD saw the set, that it was good, and the evening and the morning were the Second Day.

Genesis
Exodus
Proverbs
Words to the Techies
Directors' Rules
Theatrical Logic
And the TD saw the actors, that although they did have a place to be, they did look like fools, for they waved their hands, clutched at open air, and struck each other with nothing. And in his heart, the TD was moved to pity. And the TD said, "Let there be Props!": and the TECHIES worked feverishly and did buy and build, and there were props. And they were good, and the evening and the morning were the Third Day.
And the Costumer** looked upon the actors, and saw that they did go forth in blue jeans and the Costumer knew that this would not do. And the Costumer said, "Let there be Costumes!": and the TECHIES did cut and sew and shape, and there were costumes, each sized to the actor, according to the play, and keeping in with the role. And no more did the actors go forth in blue jeans, and the Costumer saw the costumes, that they were good, and the evening and the morning were the Fourth Day.

And the TD watched the play, and saw that the actors did wait in silence, and was moved to pity. And the TD said, "Let there be Sound!": and the TECHIES worked and taped, and there were sounds, each according to its place and cue, all at the proper levels. And the TD heard the sounds, that they were good, and the evening and the morning were the Fifth Day.

And lo, all these works were completed in five days, showing that if God had used sufficient TECHIES in the first place, He would have finished sooner.

(* "Sized" in most manuscripts, "Sizes" in a few.)
(** "Costumer" in most manuscripts, "TD" in some.)

Exodus*

And lo, as the year begins, so is the Duct Tape delivered unto the TECHIES, who do revere and worship the Duct Tape. And, soon, does the Duct Tape leave the store, to be used by the TECHIES in pursuit of excellence in their TECHIE activities, and also in various activites with fair TECHIE maidens. And, the head TECHIES do soon become worried at the amount of Duct Tape used, for while much use of Duct Tape does surely lead to a higher plane of TECHIE existence, the year must be split in two: 6 months of plenty, following the delivery of Duct Tape unto the TECHIES, and 6 months of famine, when the Duct Tape must surely run out.

(* The Book of EXODUS is missing from most of the ancient Techie manuscripts.)

Proverbs

Behold, my son here is wisdom. Pay heed to these words, and in the days of thy play, in the hours of thy performing, thou shalt not be caught short. For truly, it is said, pay heed to the errors of others and you shall not make them yourself, and again, as we have been told from on old, to thine own self be true.

I. Give not unto the actor his props before his time, for as surely as the sun does rise in the East and set in the West, he will lose or break them.

II. When told the placement of props by the Director, write not these things in ink upon thy script for as surely as the winds blow, so shall he change his mind.

III. Speak not in large words to actors, for they are slow of thought and are easily confused.

IV. Speak not in the language of the TECHIE to actors, for they are uninitiated, and will not perceive thy meaning.

V. Tap not the head of a nail to drive it, but strike it firmly with thy strength.

VI. Keep holy the first performance, for afterwards you shall party.

VII. Keep holy the last performance, for afterwards you shall party.

VIII. Remember always that the TD is never wrong. If appears that he is, then you obviously misunderstood him the first time.

IX. Leave not the area of the stage during the play to go and talk with the actors, for as surely as you do, you will be in danger of missing your cue and being summarily executed or worse.

X. Beware of the actors during scene changes, for they are not like unto you and are blind in the dark.

XI. Beware of actors when flying in walls, for they will stand and watch and get crushed.

XII. Take not thy cues before their time, but wait for the proper moment to do so.

XIII. Take pity on the actors, for in their roles they are as children, and must be led with gentle kindness. Thus, endeavor to speak softly and not in anger.

XIV. Listen carefully to the instructions of the Director as to how he wants things done - then do it the right way. In the days of thy work, he will see thy wisdom, give himself the credit, and rejoice.

XV. And above all, get carried away not with the glow-tape, or thy stage will be like unto an airport.

Words to the Techies

Remember always that thou art a TECHIE, born to walk the dark places of the stage, and know the secret ways of thy equipment. To your hands it is given to mold the dreams and thoughts of they that watch, and to make the Stage a separate place and time. Seek not, as do the actors, to go forth in light upon the stage, for though they strut and talk and put on airs, their craft does truly depend on you, to shape the dreams that they would show.

Remember also that although they depend on you, you exist only to aid them. Remember that thou art a team, for thou shalt party together.

My friends be not deceived by deluded actors masquerading as TECHIES. Remember always the signs by which thou shalt recognize a true TECHIE: they move softly during scene changes, not stumbling or falling; they are silent backstage and are aware of what is happening; they can speak with knowledge of Tools; they respect another's job and aid where they can; they do not just stand and watch.

Amen.



DIRECTORS' RULES

  1. The Director is right.

  2. The Director is always right.

  3. Even if the SM or TD is right, the first rule still applies.

  4. The Director is special.
    a. The Director doesn't sleep, he rests.
    b. The Director doesn't eat, he takes nourishment.
    c. The Director is never late, he is detained.
    d. The Director never leaves, he is called away.

  5. If you go to the Director with original ideas, they become the Director's ideas.

  6. The Director remains a director, even in his boxers.

  7. The more you criticize the Director, the less you get cast.

  8. The Director is obliged to think for everyone.

  9. Those who believe the Director is a dictator are dissidents.
    a.All dissidents disappear.

  10. It is necessary to prevent directors from marrying so that their numbers may not increase.


THEATRICAL LOGIC

In is Down, Down if Front.
Off is Out, Up is Back.
Off is Out, On is in.
And of Course -
Right is left, and left is right.

A drop shouldn't and
A Block and Fall does neither.
A prop doesn't and
A cove has no water.

Tripping is OK, so is cheating.*
A running crew rarely gets anywhere.
A purchase line will buy you nothing.
A trap will not catch anything, and
A gridiron has nothing to do with football.**

A strike is work (in fact a lot of work) and
A green room, Thank God+, usually isn't.
(and sometimes it's not a room)++
Now that you are fully versed in theatrical terms
-BREAK A LEG...But not really!

(* "so is cheating" appears handwritten on a photocopy of a document.)
(** "A trap...football" this line appears on that same photocopy.)
(+ "Thank God" appears in the photocopy. Also a detailed drawing acts as the document's boarder.)
(++ "(and sometimes it's not a room)" was added by Kirk Andersen. Who has worked in a few small Theatre's where "The Greenroom" is outside. This might also apply to outside amphitheaters.)


Many versions of The TECHIE GOSPEL document are credited to Jonathan Seitz.
THEATRICAL LOGIC And The DIRECTOR'S RULES are not credited, and are often separate from The full TECHIES GOSPEL Document.

KAsym.gif and Logo created by Kirk L. Andersen using Picture Publisher 5.0

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Added to Nesredna's Knook on 01 May, 1998
Updated on 16 September, 2005

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